Written by Tom Shone, a British critic resident in New York, These Violent Delights is an excellent site about the movies and related matters. Born and raised in Britain, where he emerged as the most disciplined among the writers who contributed to the Modern Review in the early 1990s, Tom Shone now operates out of New York, though naturally his web activities go everywhere. Shone is a clever film columnist who can also write a wise book: two attributes that don't often go together. His book Blockbuster is essential reading about an important epoch in modern Hollywood, when Steven Spielberg and George Lucas changed the scale of ambition, so that such creations as the Indiana Jones and the Star Wars franchises became standard operational projects. The story of big ideas that worked, Blockbuster can usefully be read beside the late Stephen Bach's Final Cut, the story of one big project that didn't. Shone's big coffee-table book Scorsese is also well done, though it demonstrates the limitation imposed by getting that much cooperation from a biographical subject: it gets harder to hail a specific movie with indifference. With Shone's equally lavish book Woody Allen there is no such problem, because Shone genuinely finds the less successful movies as interesting as the successful ones. Reading his text in amongst the plethora of illustrations, I had to think again about every Allen second-tier movie except Match Point, which in my view becomes more confirmed as a clunker the more closely it is examined. But with Allen's work the game of preference and disapproval is inevitable. Shone is properly grateful for Allen's abundance, and so should we all be. The movie business, as a field in which to try being prolific, is no more hospitable than nocturnal crocodile wrestling. To be a movie critic, you must first of all be able to admire the bold, and Shone can. To start enjoying the way he thinks, click here.