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The Lions at Taronga

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  • Current Books
      On "The Blaze of Obscurity":
      • Australian Book Review
      • Sunday Times
      • Guardian
      On "The Revolt of the Pendulum":
      • Independent
      • Spectator
      • Spectator Book Club
      • Observer
      • Quadrant
      On "Angels over Elsinore":
      • Prospect
      • Independent
      • Telegraph
      • Books at Borders
      On "Opal Sunset":
      • Guardian
      • Standpoint
      • Village Voice
      • New York Times Book Review
      • NPR (US)
      • Poetry Daily (I)
      • Poetry Daily (II)
      From "Cultural Amnesia":
      • Extracts on "Slate"
      • London Times Podcast
      On "Cultural Amnesia":
      • The Nation
      • New York Sun
      • New York Times Book Review
      • The Australian (I)
      • The Australian (II)
      • New York Observer
      • Sydney Morning Herald
      • Boston Globe
      • James Wolcott
      • Herald Tribune
      • Commentary
      • Atlantic Monthly
      • Baltimore City Paper
      • Evening Standard
      • First Post
      • Bookforum
      • Village Voice
      • Australian Book Review
      • New Zealand Herald
      • Spectator
      • Bill Moyers Journal, PBS
      • NYPL
      • Times Literary Supplement
      • Guardian
      • Quadrant
      • Corriere della sera
      • TeleRead e-book review
      On "North Face of Soho":
      • Sydney Morning Herald
      • Scotsman
      • Guardian
      • Telegraph
      • Times Literary Supplement
      From "The Meaning of Recognition":
      • On the Australian Poetry Boom
      • On Pushkin
      • On Polanski's "The Pianist"
      • Primo Levi's Biographers
      • On Philip Larkin
      • On Bruno Schulz
      • On Bing Crosby's Hidden Art
      • On Aldous Huxley
      On "The Meaning of Recognition":
      • The Age
      • Guardian
      • ABR
      • Daily Telegraph
      From "The Book of My Enemy":
      • The Great Wrasse
      • The Lions at Taronga
      • Where the Sea Meets the Desert
      • Lucretius the Diver
      • Occupation: Housewife
      • In Town for the March
      • Deckard was a Replicant
      • Simple Stanzas
      On "The Book of My Enemy":
      • The Age
      • Daily Telegraph
      • Independent
      • ABR
      On "As Of This Writing":
      • LA Weekly
      • New York Times
      • Asian Review of Books
      • Telegraph
    • Books Out of Print

    The leaves of Tower Bridge are rigged to open
    For any taxi I might chance to catch.
    They say that when the ravens leave the Tower

    It means they'll use my rain-stained study skylight
    As a toilet. I can see Canary Wharf
    Like a Russian rocket packed around with boosters

    The night they send it up from Baikonur.
    Tate Modern's bridge is cleared for one sick pigeon
    To crash land. When that lens-shaped office block

    Is finished it will bend a ray from space
    To burn the Belfast like a sitting duck.
    I've known the NatWest Tower since it was knee-high

    To the Barbican, another high-tech know-how
    HQ that used to look like the last word.
    From my place I can see last words in vistas

    As far downriver as the spreading spikes
    Of the Dome, some sad bitch of a sea urchin
    Losing its fight against a stray Dutch cap

    While hot-house pleasure boats leak foreign voices
    Like tourist minibuses nose to tail
    In the corridors of Buckingham Palace.

    Been there, done that. The Queen, she hung one on me.
    I've got it in a box. The box to frame
    My body will be built here, like as not,

    And probably quite soon. I've lived in London
    For longer than some people live all told.
    Except for the way out, I know it backwards.

    So at night when the lions at Taronga
    Roar in my memory across the water
    I feel the way they must have felt, poor bastards —

    Gone in the teeth. The food dead. On display
    All day and every day. Sleep in a fortress.
    Every familiar walkway leads to strangers.

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