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In Town for the March

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  • Current Books
      On "The Blaze of Obscurity":
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      On "The Revolt of the Pendulum":
      • Independent
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      On "Angels over Elsinore":
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      On "Opal Sunset":
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      From "Cultural Amnesia":
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      On "North Face of Soho":
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      From "The Meaning of Recognition":
      • On the Australian Poetry Boom
      • On Pushkin
      • On Polanski's "The Pianist"
      • Primo Levi's Biographers
      • On Philip Larkin
      • On Bruno Schulz
      • On Bing Crosby's Hidden Art
      • On Aldous Huxley
      On "The Meaning of Recognition":
      • The Age
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      From "The Book of My Enemy":
      • The Great Wrasse
      • The Lions at Taronga
      • Where the Sea Meets the Desert
      • Lucretius the Diver
      • Occupation: Housewife
      • In Town for the March
      • Deckard was a Replicant
      • Simple Stanzas
      On "The Book of My Enemy":
      • The Age
      • Daily Telegraph
      • Independent
      • ABR
      On "As Of This Writing":
      • LA Weekly
      • New York Times
      • Asian Review of Books
      • Telegraph
    • Books Out of Print

    Today in Castlereagh Street I
    Felt short of breath, and here is why.
    From the direction of the Quay
    Towards where Mark Foy's used to be,
    A glass and metal river ran
    Made in Germany and Japan.
    Past the façade of David Jones
    Men talked on mobile telephones,
    Making the footpath hideous
    With what they needed to discuss.
    But why so long, and why so loud?
    I can recall a bigger crowd
    In which nobody fought for space
    Except to call a name. The face
    To fit it smiled as it went by
    Among the ranks. Women would cry
    Who knew that should they call all day
    One face would never look their way.
    All this was sixty years ago,
    Since when I have grown old and slow,
    But still I see the marching men,
    So many of them still young then,
    Even the men from the first war
    Straight as a piece of two-by-four.
    Men of the Anzac Day parade,
    I grew up in the world you made.
    To mock it would be my mistake.
    I try to love it for your sake.
    Through cars and buses, on they come,
    Their pace set by a spectral drum.
    Their regimental banners, thin
    As watercolours fading in
    The sun, hint at a panoply
    Dissolving into history.
    As the rearguard outflanks Hyde Park,
    Wheels right, and melts into the dark,
    It leaves me, barely fit to stand,
    Reaching up for my mother's hand.

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